North Caucasus Number 17

The newsreel includes plots: 1st plot. Hard worker. The plot tells about the builders of the Miatlinskaya hydroelectric power station on the Sulak River. The plot uses the following filming: views of the Sulak River in the mountains of Dagestan, a general view of the construction of the Miatlinskaya hydroelectric power station (filmed from the top), the work of welders-installers on steep cliffs during the construction of water and air ducts. 2-nd plot. Celebration on Sulak. The plot is dedicated to the opening of a new bridge on Sulak. The plot included the following filming: the installation of giant sections of the Miatlinsky pressure water conduit by members of the V.N.Batrakov's brigade, the construction of a tunnel, the grand opening of the steel bridge across Sulak, builders with flags are walking across the bridge, the movement of KRAZs across the bridge. 3rd plot. Spring worries. The plot tells about the spring work in the gardens and greenhouse facilities of the state farm "Ordzhonikidzevsky" in North Ossetia. In the plot, the following filming was used: processing of fruit trees with pesticides, cutting branches, planting seedlings; general view of the greenhouse farm on the state farm; beds with cucumbers in one of the greenhouses, picking cucumbers. 4th plot. Together with Moscow machine tool builders. The plot is devoted to the release of pneumatic cylinders, parts necessary for a gripper robot - an automatic manipulator, which will be produced at the Moscow plant "Red Proletarian", at the Ordzhonikidze experimental plant "Pneumatic equipment". The plot included the following filming: plant assemblers - members of S. Dzhadzhiev's brigade at work, general view of the first batch of finished pneumatic cylinders. 5th plot. Portrait of a Contemporary. The plot tells about an artist from Grozny, honored art worker of Checheno-Ingushetia V. Livna. The plot includes the following filming: views of Grozny; artist V. Livn at work in the studio; general view of the artist's paintings in the studio and at his personal exhibition; the artist talks with visitors to the exhibition, who get acquainted with the artist's work in the halls of the exhibition.

B&W

1

1984