The film tells about the poet and philosopher Maximilian Voloshin. The following filming was used in the film: landscapes of the Black Sea, M. Voloshin's house-museum in Koktebel, interiors of rooms, museum exhibits, landscapes of Koktebel, Crimean landscapes, views of Koktebel in the 1920s (footage from the chronicle). The film includes footage of the pre-revolutionary chronicle: views of St. Petersburg, footage of the chronicle of the 20s, which captured the Crimea, the dances of the Crimean Tatars, having a rest on the seashore.